<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-20988173</id><updated>2011-05-19T05:46:34.996-07:00</updated><title type='text'>Sobre Debussy y el piano</title><subtitle type='html'>Ensayo</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://debussypiano.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20988173/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://debussypiano.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Luis Adolfo Siabala</name><uri>http://www.blogger.com/profile/05573675320798083056</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://3.bp.blogspot.com/_u37UxvmjoFE/Sg9raK0lEFI/AAAAAAAAABw/lP_LKyHXccw/S220/Linotipista.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-20988173.post-113727793243097137</id><published>2006-01-14T14:17:00.000-08:00</published><updated>2006-10-17T12:55:46.480-07:00</updated><title type='text'>Fusas y semifusas en La Chambre Magique y Feúxs d’Artífice</title><summary type='text'>Claude Achille Debussy (1862-1918)…les leçons du vent qui passe et nous raconte l’ histoire du monde…Reflexiones sobre la interpretación en la pianística de DebussyDifuminadas y volátiles quieren ser la sucesión de notas, vientos encasillados en busca de espacio, en recorrido libre sobre la extensa ingenuidad del arte, alma infidente hacia la razón o la imaginación del que sabe y desea </summary><link rel='replies' type='application/atom+xml' href='http://debussypiano.blogspot.com/feeds/113727793243097137/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20988173&amp;postID=113727793243097137&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20988173/posts/default/113727793243097137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20988173/posts/default/113727793243097137'/><link rel='alternate' type='text/html' href='http://debussypiano.blogspot.com/2006/01/fusas-y-semifusas-en-la-chambre.html' title='Fusas y semifusas en La Chambre Magique y Feúxs d’Artífice'/><author><name>Luis Adolfo Siabala</name><uri>http://www.blogger.com/profile/05573675320798083056</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://3.bp.blogspot.com/_u37UxvmjoFE/Sg9raK0lEFI/AAAAAAAAABw/lP_LKyHXccw/S220/Linotipista.jpg'/></author><thr:total>1</thr:total></entry></feed>
